Clayton Hauck Clayton Hauck

2025 11 07

Where will you go today? Tangible Books. Chicago, Illinois. October, 2025. © Clayton Hauck

Recently, while not updating this here blog because I’ve been too busy, I had a modest uptick in traffic (instead of almost nobody visiting, a few people visited). While trying to figure out what all the traffic fuss was about, I noticed that in the last month, the blog has been visited by more visitors from China than here in the US. While I have no idea why this is the case, or if these are even actual humans coming to digitally visit, the fact was interesting to me for another reason altogether. 

My takeaway was that, as a well-traveled but still life-long citizen of the USA, I don’t think I fully comprehend the shadow we cast on the rest of the world. I can imagine how differently I would feel about the world if I was the same person I currently am but was born in, say, Montevideo instead of Chicago. Being a very prideful person about the place I call home (I also love Montevideo and assume this would be the case if I was from there), I can imagine my pride would be met with much more frustration upon learning the harsh realities of economics, pop culture, and math if I was a Montevideoan (no idea what term they use but likely not this). With so much money, influence, and people coming from counties other than my own (hypothetical) home, I’d feel the need to accommodate other markets and cultures in order to get noticed, which would likely bum me out.

What is my point? I’m not sure, really, but I like the mental exercise resulting from looking at my traffic from China. The sort of obvious conclusion is that the United States is in decline access to markets is the most important element of gaining success through art — be it sales to people or views on Tik Tok, you need other people.

To all this, I say: 很高兴认识你!

-Clayton

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2025 11 06

Avedon book, bought used. Chicago, Illinois. October, 2025. © Clayton Hauck

Argh! I’m still so behind on posts!

Mostly, it’s because so much of my time lately has been dedicated to books. Photobooks. Our popup shop Realm Books is in the midst of a big year end push to see if we can become a legitinmate business. It’s fun, it’s hard, it’s a lot of learning and figuring things out. This weekend (November 14-16), we have our first book fair. You can find us tabling at Staple + Stitch, which is very exciting to me and will be really telling in terms of how the business end of things can work.

Anyway. This here blog has a zine dropping tomorrow with its namesake, so I need to get this thing back on track. I’ve got tons of personal work to share and this will be the place for it in the coming weeks. Thanks for stopping by…

-Clayton

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2025 11 04

That Tiny House. Chicago, Illinois. December, 2024. © Clayton Hauck

That Tiny House. You can’t not take a photo of it.

-Clayton

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2025 11 03

Moon in the early night sky. Chicago, Illinois. November, 2024. © Clayton Hauck

-Clayton

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2025 11 01

Sunflower. Chicago, Illinois. October, 2024. © Clayton Hauck

-Clayton

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2025 10 31

Shoes. Chicago, Illinois. August, 2025. © Clayton Hauck

Happy (nine days post) Halloween! I’m slowly (but maybe not surely) catching up on my daily posts!

-Clayton

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2025 10 30

Famous thing in Chicago, Illinois. July, 2025. © Clayton Hauck

It’s kind of interesting that, being a Chicagoan all of my life, I almost never make images in the popular tourist places in my own town. This scene, had I stumbled upon it in another place I was less familiar with, would immediately become a photogrpahy obsession. Here, however, it’s mostly something to avoid. Maybe I should better embrace these places? If I get into the “Chicago Project” I have brewing in my brain, it will definitely be worth revisiting.

-Clayton

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2025 10 29

Dog on box. Chicago, Illinois. August, 2025. © Clayton Hauck

-Clayton

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2025 10 27

Reach for the light. Chicago, Illinois. April, 2025. © Clayton Hauck

My first photozine project is now at the printer and due out next week (November 15th at Staple + Stitch, to be precise). It has been a fun (and wildly time consuming for being relatively simple) project and I hope just the beginning of many more printed works. While I have many bigger concepts for more “proper” photobooks dancing in my head, I’m easing into this by committing myself to two more smaller-scale personal zines next year. In a sense, I’m riding with training wheels while I learn more about the processes involved, of which there are more than I previously had considered.

If you want to pre-order the zine and snag a free print as a thank you, you can do so here.

-Clayton

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2025 10 26

Behind-the-scenes. Chicago, Illinois. July, 2025. © Clayton Hauck

Time keeps on slipping past me this year! I’ve been meaning to get up another post about how I’ve fared with studio portraits this year (spoiler: poorly). Likley, because things got so tough, it’s why I’ve been focusing on other things. That said, I’m still aiming to do both one more run of portraits this year and will get around to writing more about the difficulties when I find the time.

-Clayton

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2025 10 25

Wires. Chicago, Illinois. July, 2025. © Clayton Hauck

Everything is connected. Humans have been busy the past century connecting everyone together as best we can, in new ways we continue to imagine. While convenient, surely this might also explain some of the madness going around lately?

-Clayton

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2025 10 24

Street scene. Chicago, Illinois. October, 2025. © Clayton Hauck

-Clayton

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2025 10 23

Sidewalk closed, be back soon? Chicago, Illinois. October, 2025. © Clayton Hauck

As always seems to be the case, This Here Blog has (for some reason — not being self-deprecating, just honestly don’t know any details) gained some attention recently. I’m not sure where the eyes are coming from, but they’re coming much more that usual. Of course, I’m absolutely buried in work, without a moment to spare to post new images and catch up on days (it’s October 28th as I write this, not October 23rd). Ho hum; so it goes. While in the midst of un-burying my studio both physically and metaphorically, I’ve also been editing personal images I made back in July (on top of the client edits, calls, treatment writing, etc). So yeah, I’m roughly four months behind on life. Be back soon.

-Clayton

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2025 10 22

Brad and Lenny. Chicago, Illinois. May, 2025. © Clayton Hauck

Sure, cell phones make calls, however it might be more fitting to rename them cameras. I’d wager they get far more use making images of our pets and kids (and doom scroll social media) than they do make calls.

-Clayton

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2025 10 21

Cool tree, bro. Chicago, Illinois. August, 2025. © Clayton Hauck

Oftentimes, I’ll make friends with a tree and visit and photograph it regularly. This is my new bud, which I esp love because of its wily bark trunk.

-Clayton

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2025 10 20

No exit. Chicago, Illinois. July, 2025. © Clayton Hauck

Between cleaning up the studio after a morning shoot in preparation for a bookshop popup tomorrow morning and studio event tomorrow evening, this video (below) popped into my feed and was thoroughly enjoyed by myself. As I’ve been unable to travel much these days in lieu of giving myself too many jobs back home, I really enjoy watching how Mike Okay traverses the world by himself with minimal plans or support. It’s an extreme way to do it, sure, but it often illuminates the positive side of humanity in ways that are hard to articulate in words. Maybe I’ve shared his videos here before, I forget. But if you haven’t yet seen one of his travelogs, I highly recommend checking the out.

-Clayton

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2025 10 18

Night scene. Chicago, Illinois. May, 2025. © Clayton Hauck

Having lived in the same general area for twenty-some years now, it’s always a memorable moment when I stumble down a street that I’d never previously been down. This was one of those streets and I loved the vibes of this house.

The other day, I had the thought that it would be nice to make this blog a bit more robust, immediate, and interactive. I could post and write about things as they happen in my life and make the whole thing a bit more purposeful, instead of the random spur-of-the-moment grab bag it has been lately. But considering I’m days behind on posting and severely behind on other life tasks, I’m not sure how realistic of an idea this is. All that said, I think a bit part of why I’m so behind on various parts of my life lately is in fact because they are lacking a defined purpose. Posting a photo a day just because is nice in theory, but what’s the deeper meaning behind doing so? Is is just because I have folders full of images and I need to put them somewhere? That’s nice, but it’s not keeping the creative juices flowing as much as it had been and perhaps it is time to find a new angle around here.

More on this later.

-Clayton

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2025 10 17

House shadow. Chicago, Illinois. May, 2025. © Clayton Hauck

-Clayton

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2025 10 15

Free money. Chicago, Illinois. November, 2024. © Clayton Hauck

I’ve really been going through it at work lately. My boss is just riding me very hard and I’m putting all of my waking hours into the job with no downtime to relax and enjoy life. The irony, of course, is that I am my own boss and these jobs I’m doing are of my own making (photography gigs, studio managing, bookshop tasks). While sitting in the newly-renovated Old Post Office eating a sandwich for lunch, after wrapping two early morning editorial portraits, it hit me — in my two decades of doing photography as a job, I can’t recall ever taking a single “sick day” or missing an assignment due to being sick, crabby, too tired, etc. Sure, non-shoot days are different and I fuck off quite regularly, but as a freelancer, it’s not really possible to miss an assignment for nearly any reason.

This thought occurred to me after I’d had an especially hilarious run of work, spending all weekend at the studio editing photos and managing events. A Sunday dinner event went late and I ended up leaving the studio at 1am, setting my alarm for 5:30am, getting up on three hours of sleep and driving myself to the south side to do a scheduled portrait shoot. As I frantically cleaned up the studio as efficiently as I could (the studio had to get clean as there was also a casting the following morning), I laughed at the situation I’d put myself in.

If I had a “normal job,” it would’ve been a no brainer to fib being sick and sleep in that following morning. But I’m a freelance photographer, so off I went to make the images.

The weird thing is, I’m glad it played out like this! Had I been able to skip the work day, I would’ve missed the most incredible sunrise I’d ever experienced as I drove downtown on the fluid, pre-rush hour Kennedy Expressway. The first portrait shoot went well; I met a stray cat; then I had a few hours of time to myself to explore Hyde Park and the surrounding area (been amazed by how big and beautiful Chicago is lately). I stopped in to Powell’s and grabbed a few photobooks before heading to my second shoot downtown, which was also an enjoyable one. After wrapping that, it was sandwich time, where I pondered the weirdness of my jobs and my life, while feeling fortunate I had it this way, despite the occasional extreme situations I find myself in.

-Clayton

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2025 10 14

Allison gets into a burger. Chicago, Illinois. November, 2024. © Clayton Hauck

-Clayton

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