2025 04 04

Car. Chicago, Illinois. January, 2025. © Clayton Hauck

There’s this car on my block that I have obsessively been making photos of. I don’t know enough about cars to know why I like it, but I think it’s a Japanese import, and I love the old-school lines. This is one of the pictures I made, edited in a style that I don’t normally do. The digital grain melting into the fine snow particles is nice, I thought.

-Clayton

2025 04 02

Allison, wondering how long I will be looking at used photobooks. Powell’s Books. Chicago, Illinois. September, 2024. © Clayton Hauck

Today is officially the day we started a photobook shop. Or, at least, committed to a popup to explore the idea of starting a photobook shop! You gotta pop it up first to gauge interest, learn, and grow into what will hopefully be a physical location one day. More on this soon, hopefully!

-Clayton

2024 04 01

Birds on the line, tweeting or something. Somewhere in northern Illinois. June, 2024. © Clayton Hauck

After watching a few more episodes of the video I mentioned yesterday, it’s remarkable how efficiently word travels these days through social media. Ed was lining up free places to stay, free pints of beer, clothing, meals, while his poor old kayak buddy was left to fend for himself, without social media on his side. There’s some sort of lesson in there but I’m not exactly sure what it is.

-Clayton

2025 03 31

Illinois and Michigan Canal. Lockport, Illinois. June, 2024. © Clayton Hauck

It’s the final day of March, so we’re roughly a quarter of the way through the year already, which is quite wild. That news has me in rather poor spirits as, while I’ve been keeping myself very busy with my own endless list of projects, the meat and potatoes work that pays the bills has been slow and I’ve yet to win a proper large commercial production. This in itself is not out of the ordinary, however, I’m extra sensitive these days with the studio overhead piling every higher and the growing sense of an economic slowdown on the horizon.

The industry talk I lead last week was both remarkably reassuring to hear such kind words and compliments towards my photography, and terrifying in that most everyone else is dealing with today’s challenging economic realities. Ho hum.

On a brighter note, I stumbled upon the video below and it gave me a much-needed spark of joy. I love the weird journeys us humans become obsessed with and this is both entertaining and educational. My brain always wonders about and imagines what grand rivers are like at their place of origin and this video thoroughly explores the River Thames in all of its glory, which is cool.

As I find myself pivoting back towards becoming an artist and personality that relies on my own vision and content to survive, starting that long-pondered youtube channel really seems like it will be in my near future.

-Clayton

2025 03 30

Life finds a way. Wilmette, Illinois. January, 2025. © Clayton Hauck

The birds are chirpin’. Spring is here. Maybe.

-Clayton

2025 03 29

Bridal shop. Chicago, Illinois. January, 2025. © Clayton Hauck

Don’t tell anyone but I added that blurred out person using generative Ai. I snapped this image as I was driving by in my automobile and I kinda liked it… but it needed some mysterious human energy involved.

The recent release of GPT 4o or whatever it’s called has me moving up the expiration date for my job. If anyone is hiring a college dropout, please let me know!

-Clayton

2025 03 27

Old Main Street is New Main Street. Canton, Illinois. March, 2025. © Clayton Hauck

I did a presentation today for APA Chicago with the theme being personal work. One of the things I discussed was my Ill Wandering work. It’s not work that I’ve spent much time assessing myself yet, as I’ve been more focused on allowing things to play out a bit more organically without forcing anything and focusing too much on any specific theme. That said, it was very much worthwhile to take a step back and further assess the photos I do have.

I’ll share more in the coming months and hope to get back out a bit more regularly this year to expand the body into something more substantial.

-Clayton

2025 03 26

The city at night. Chicago, Illinois. February, 2025. © Clayton Hauck

Recently I was downtown for an event and afterward, I made an effort to wander a bit. The streets were eerily silent. I dipped into Billy Goat for a burger and a beer along with the three or four other humans (more staff than guests) who seemed to be out, for whatever reason, either running away or towards something.

A great idea then struck my brain: I would get a scooter and ride home like the wind. This led me astray in search of one when the big lights in the distance caught my eyes. “Hooter’s,” it said. Not yet having my fill of adventure, and recalling the news of the likely demise of yet another fine American establishment, I stepped in.

“Seat at the bar okay?” I asked the greeter (again, more staff than guests), and she motioned me inward. The wings came soon after and boy did I wonder why the joint wasn’t full of customers enjoying them. These things are delicious! I kicked myself for being too timid to frequent Hooter’s all my life for the wings alone.

I left as they were locking up. The man alone at the bar turned out to be an undercover security guard or manager, as I suspected (more staff than guests). I guess everyone gets their wings delivered to them from some other chain these days?

Across the street sat a fully charged scooter glowing in the darkness with my name on it. I rode like the wind just as I’d imagined I would, turning here and there into which ever dark street didn’t look familiar. This was an adventure and I had the city to myself. All the way home I rode and contemplated how cool it would be to start a scooter gang. Surely, this must be how the first gang was formed way back before the police cornered the market on gangs.

-Clayton

2025 03 25

Hawk? Chicago, Illinois. February, 2025. © Clayton Hauck

I’ve been seeing this guy around the neighborhood lately.

-Clayton

2025 03 24

Mal, from a Keep it 100 session at See You Soon. Chicago, Illinois. October, 2024. © Clayton Hauck

Becoming a Portrait Studio
by Clayton Hauck

The following thoughts were written in conjunction with an event happening later this week. Keeping The Lights On: An evening with photographers Clayton Hauck and Jason Little. They will discuss the importance of creative exploration within personal work and projects. You can rsvp for that event here.

Becoming a studio portrait photographer has been a humbling process and far more challenging than I anticipated. While, yes, I’ve been a professional photographer for two decades now, I’ve actively avoided pursuing portrait or headshot clients. Previously, I didn’t have the studio space and for that reason alone it never made much sense. Dedicated space aside, the economics of portrait photography is challenging, especially in today’s market, where everyone is either a photographer themselves or knows a skilled photographer. 

All this said, I became obsessed with a setup artist Jeremy Cowart was offering and sharing via his Instagram. He now calls it The Portrait Lab and has built an entire business around the concept in his hometown of Franklin, Tennessee, outside of Nashville. The methods that caught my attention were his use of a projector to change the background throughout the shoot (he’s now using a fancy LED wall), along with varied lighting schemes which cycle through as you shoot. Basically, I loved the idea of creating a more organic and random situation inside of a controlled studio setting. It would blend a bit of my own candid photographic style into a more traditional portrait approach and I had to try it for myself.

Days of internet sleuthing and rabbit holes eventually led me to the setup I now use (though I prioritize tweaks and trying new things each time I set it up). Jeremy is quite open about his process and has laid much of it out in various industry talks you can find online. For me, the biggest hurdle was not figuring out how to technically do it, but the decision to blatantly steal the idea of another artist. It’s one I still struggle with, while doing everything I can to make the setup my own in the process. For example, he embraced Ai while I shunned it and made Anti-Artificial Intelligence the core focal point of my process.

The name “Keep it 100” came to me while editing photos late one night in the studio. Chicago’s now mayor Brandon Johnson was doing a campaign event, dropped the line in conversation, and it just sort of clicked. I could offer people one-hundred unique photos for one-hundred dollars in one-hundred seconds, all while shunning Ai and providing people with real-life images in a style that is hard to believe isn’t artificial. It would showcase the power that photography can still wield in a world where technological advancements are eroding our standards towards what we believe is real.

THE NEXT BIG THING IN PORTRAIT PHOTOGRAPHY

The first few test shoots I did were so fun that I was completely convinced this thing was going to be huge. In my head, I was envisioning renting spaces to open additional studios while completely customizing the experience to whatever the subjects wanted. Different colors, backdrops, lighting vibes, propping, wardrobe, etc. It would be like a professional wedding photo booth on steroids and there would be lines out the door, I thought! This thing was going to be so big I could pivot my career and open up locations offering these quick and exciting portrait sessions all over the country! Like a photo-obsessed Ray Krok, I was already perfecting the operational flow as guests moved through the setup. 

Then I started offering sessions — for free — to my friends and Instagram followers. That’s when the challenging reality of the situation began to set in. While I’d been thinking this thing would quite literally sell itself and get instantly booked solid whenever I made openings available, the exact opposite thing happened. Nobody cared. It was hard to get people to come by and park themselves in front of my camera, even for the low price of freeeeee! 

Quickly, I learned that convincing people to come to you and give you any amount of money is no easy task, even when you’re offering what you consider to be the world’s best portrait deal. Communicating your ideas are even more important than executing them. That was the takeaway, and it was demoralizing and almost made me give up; it’s what I’m still working on well over a year later.

SALES > SKILLS 

This is the grim reality that artists like myself never want to believe is true. We like to think that good work will rise to the top and get an audience naturally. That people will come flocking to us for our skills alone. That if we only buckle down and focus on producing the best work, everything else will fall into place naturally. At the same time, we love to complain about how so-and-so is terrible and it’s dumbfounding that they got signed by a rep and are working on huge productions all of the time. We focus on the negatives and make excuses that don’t help us in any way. I’m amazed by how often I catch myself remembering that not everyone else already knows and thinks the same things I do.

The portrait setup, for me, was a great refresher in starting out as a photographer — this shit is hard! 

While things started very slow, they did eventually pick up, hardly thanks to my own doing. I stumbled along, offering portrait openings every few months as my schedule allowed, but bookings were light even at my $100 price point. Fortunately, my studio has also allowed me to expand my social network as I’m meeting lots of people through the various events that we host. This is when I learned the value of influencers (another thing we photographers love to scoff at!).

Dennis Lee is a super talented guy (you can find him at Food is Stupid and The Party Cut). He booked a $100 session and loved the results so much that he wrote about it on his popular newsletter, while also telling me I was insane for making it so cheap, which helped me to raise my prices. This was just the bump I needed. Both a social proof-of-concept and a shot of much-needed confidence for myself, the next session found itself a ton more bookings, largely thanks to Dennis, and also because I’d kept at it through the awkward period when things weren’t working out as I thought they were going to.

After the Influencer Bump, I embraced the word-of-mouth method and began to focus on shaping an email list to help promote the offering (something I should have been doing from day one). I woke up one Monday last fall and decided to drop another run of dates the following week. Within hours, I had a dozen bookings already lined up. This was the moment I realized I was on to something with some real potential.

LETS TALK NUMBERS

Earlier I mentioned stealing Jeremy’s idea as being difficult for me. It still is. Another challenge is the super low price point. As a commercial photographer, I’m used to being “too expensive” for clients on a regular basis. We have high standards and we are pretty tough about sticking to them, so me coming out and offering dirt cheap portrait sessions both goes against my own standards and does a disservice to other portrait photographers who make a living doing this work, which is another thing I’m very sensitive to.

So why do I do it?

This answer is complicated and, admittedly, still evolving. My immediate response is that it’s a tough market and the only easy way to get regular bookings is to offer a deal so good that people can’t resist. But this doesn’t justify undercutting your colleagues. My current working justification is that this is a trade. While, yes, I’m giving people wildly affordable portraits (my pricing has since risen to $150, with various add-ons also available to help make it more lucrative for me), I’m also doing it on my own terms. In a sense, these cheap sessions are paid test shoots for me. I’m using whatever backgrounds and lighting schemes I want to try out and learn from, while keeping each session very short (ten minutes or less, usually) so that I can squeeze in a bunch each day. This helps make the math work better without compromising the results — people are still getting an incredible value and the low price point makes me feel good, in a way, that I am providing a “high end” service for an accessible fee. It’s important to me that I’m able to cater towards faces and personalities that otherwise would not show up if I was charging, say, $600 a session (a price that is far more representative of my time and the equipment involved in making all of this happen).

All that said, when my agent tells me I “look desperate” and am ruining my reputation, I don’t fully disagree with her. This industry runs on perception, and the guy doing cheap headshots, or shooting weddings, or events, can’t be trusted to handle a McDonald’s production the following week. Love it or not, that’s how things work. 

Her solution is for me to raise my prices significantly. My solution is to drop them and make the whole thing an art project. My end goal is to make Keep it 100 run as a project that primarily raises money for charity, while working with sponsors and finding other creative solutions to fund it and make money for myself. While the vision is still formulating in my brain (and is very much inspired by another friend and Keep it 100 backer, John Carruthers), and I have a lot of work left to do, it’s this goal which is driving me forward and keeping me most excited about the project.

IN CONCLUSION

Trust me, I hate talking about this stuff. I’d much rather be at the studio shooting new sessions right now and letting things play out organically. But I’m also learning that it’s important, both for marketing purposes (yuck) and my own sanity, to dedicate time towards processing everything and talking about it. Without stopping to digest what you are doing and why it is either working or not working, you risk driving yourself mad in the process or missing potentially simple solutions which allow your idea the space it needs to grow into what you know it has the potential to be.

I’m excited to share the next phase of this endevour, which is largely me getting back to my roots, in the coming days.

-Clayton

Thanks for reading and if you want to hear more about this, the next phase of Keep it 100, and various other personal projects I’ve been working on, stop by my studio this Thursday for the APA Chicago event. Click here to book a session or sign up for the Keep it 100 email alert list and get some fun new photos of your own!

2025 03 23

Jack and I enjoyed one too many adult beverages. Chicago, Illinois. February, 2025. © Clayton Hauck

Jack and I might be cooking something new up. This year is shaping up to be a transformative one for me in many ways. More soon.

Also, Jack has a new photobook out that is great and you should check it out and buy a copy. We might be able to help you with that soon.

-Clayton

2025 03 22

Armitage Avenue, in need of some new shops. Chicago, Illinois. February, 2025 © Clayton Hauck

Why I’m such a sucker for tiny shops like this one, I don’t fully understand. But this lil spot is so cute that I’ve been dreaming of putting a business inside of it for more years than I can remember. One day, perhaps.

-Clayton

2025 03 21

Good Boy wants to go outside. EZ Inn, Chicago, Illinois. February, 2025. © Clayton Hauck

Open yourself up to chance.

Today I walked to work, as I usually do, and I took a different path than usual, as I always try but usually fail to do. As a reward, I ran into a friend and got to hear about her trip to Europe. I then encountered some animals and made a few photos of scenes I encountered.

Then, as I ate my lunch at the studio, this Alec Soth video (below) played.

Open yourself up to chance as often as you can and rewards will follow.

-Clayton

2025 03 20

Cone in snow. Chicago, Illinois. February, 2025. © Clayton Hauck

Please pardon the dust as I spend my time building yet another new website and prep for a photo talk going down next Thursday, in which I will debut said website.

-Clayton

2025 03 17

Somewhere in northern Illinois. March, 2024. © Clayton Hauck

Back from a gig down in St Louis and a few days of Ill Wandering (lots of time on the road — need to prioritize less driving next time) and I’m catching up on life, getting back into the routine of things. This week, I aim to make my new website go live. More on that soon. I’m also preparing for a talk going down in two weeks time in which myself and fellow photographer/friend Jason Little will discuss how we use personal work in our practice. I feel like lately all I do is personal work, so I should have much to discuss. I’ll aim to make it worthwhile for both those in attendance and myself.

-Clayton

PS - on the topic of photography, this video by Noah Kalina hit my feed today and I really enjoyed it. Give it a watch, if interested.

2025 03 16

Farm outside Ashkum, Illinois. April, 2024. © Clayton Hauck

When I began my Illinois Project (photographing the state outside of Chicago), I was smitten by scenes like this. I still find this image beautiful, but a year later, I now realize a big part of what drew me towards these images was my lack of prior experience with them. Now that I have folders full of them, the charm sort of wears off a bit and you start to understand nobody has the patience to look at more than one of these photos, if even that. Maybe I’m wrong?

I’ve continued making these photos and will revisit them in time. Peeking back at this image now, made roughly a year ago, gives me the thought that maybe there is more charm in the simplicity than I’d previously thought.

One other result from my recent foray into capturing rural Illinois is that I now completely love bare trees, where previously my brain would almost totally ignore them. Nature’s fireworks, I like to think. Only they happen at such a slow pace that most humans will never comprehend their beauty.

-Clayton

2025 03 15

Freight train rolls through Ashkum, Illinois. April, 2024. © Clayton Hauck

One thing that draws me to rural Illinois is the trains. I dream of living the life of a hobo and creating a large body of work from that perspective, but know I don’t have it in me to do so. The idea of living a far less comfortable lifestyle in pursuit of art is one that fascinates me, but I’ve grown too reliant on air conditioning and Amazon next day delivery.

Also, I need to photograph things out of focus more often…

-Clayton

2025 03 14

Pizza Palace. Ashkum, Illinois. April, 2024. © Clayton Hauck

This photo is a visual representation of the Midwesterner’s saying “I’m living the dream.”

-Clayton

2025 03 13

North of Champaign, Illinois. April, 2024. © Clayton Hauck

The big takeaway I had last year after my various Illinois Wandering sessions (which were admittedly not very focused and more of an afterthought) was that, while I was making some okay photos of cool scenes, none of the images really stood out as being strong enough to stand on their own. Sure, this image is beautiful (imo) and might work well in a series with other images providing meaning and backstory, but I’d been hoping to make work that would really stand out and be something I would be proud to show others. In reality, I was getting images that felt too pulled back and observational, like a tourist making snaps on the family vacation. I needed to be a part of the action. The images need to feel purposeful, powerful, and spark emotion. This shot is on the right track; it was made as a storm rolled over the plains, powerful to experience firsthand while being there in person, but a subject (a person, ideally) could’ve made it really stand on its own two feet as a strong image.

That’s the trouble with wandering around a rural state alone in your car — the amount of humans you encounter is remarkably small. I continually think of two possible solutions as I’m out on my own: The Crewdson Approach or the Soth Approach.

The obvious solution for a commercial photographer like myself, if wanting to make the strongest images possible, is to produce them like Crewdson does! Put a bunch of money into solving the problem. Get a van, fill it with people and props and a pre-planned road map and go make it happen. The challenge with this approach is that it’s not what drove me to explore my state in the first place. The resulting images may be “better” but any of the meaning I hope to create will be lost.

While it’s ultimately a far more challenging and time consuming approach, the honest, photojournalistic mentality is what’s been driving me to do this. I continually get the feeling while out exploring that I am in a place forgotten by the rest of the world, its time long passed. It’s wanting to document that feeling and emotion for a future audience that drives me to push through and continue exploring this approach to the work, while knowing full-well the strength of the images might suffer and the fine art galleries of New York City may never call.

My cast of characters should be the people who live and work in these places that I encounter, who understand and are at home in them. Pushing myself to get out of my comfort zone in order to access these photographic opportunities is the part that will be most challenging, but I am taking steps in that direction and so far it feels good.

-Clayton

2025 03 09

Sunset on Bloomington. Chicago, Illinois. October, 2025. © Clayton Hauck

Chicago’s weather today was glorious. The first nice weekend day where everyone leaves the house and it makes the city feel alive with energy and humanity. It’s days like these that make me glad to live where I do.

-Clayton